Thursday, November 1, 2012

Awesome to the Max (Part 1 of 4)



Awesome to the Max: My Top 25 Movies That Made Growing Up in the 1980s Exceptional

Looking back on the decade of the 1980s, there was a lot more tragedies and terrors than the day-glow memories would lead us to believe. I mean, the United States and Soviet Russia were locked in a frightening nuclear stand-off, cocaine was everywhere, AIDS was beginning to have a huge outbreak, this was not the 80s I remembered as a child. Of course, we were kids and, for most of us, our parents just wanted us to be happy, so we were allowed to play and live in our own bubble world of sandboxes, metal slides, steel merry-go-rounds, monkey bars and those awesome metal spheres that looked like the home version of Thunderdome. Yeah, try finding those in your nearby park now. But for the most part, I look back on the movies that made such big impressions on me as a kid and they never failed to make me happy and always gave me something or someone to pretend to be whenever our friends would come over and we would dress up in cardboard boxes, pretending to be robots or swinging tree branches like they were lightsabers.

I started with a top ten, but there were just too many, so it became a top fifteen, then a top twenty. Finally, I came to the realization that there were at least 25 movies that had a tremendous impact on me growing up that I had to include on my list. Now, there were movies that I missed out on but saw later on in my life (the Star Trek movies, Tron), some that I saw but they didn’t leave too big of an impact on me (Return to Oz, Top Gun, Batman and Edward Scissorhands) and some that I just didn’t connect with (Labyrinth and Transformers). There are also some that I’m not sure whether to consider them family films or films I enjoyed that weren’t meant simply for families (The Princess Bride, Three Amigos, The Karate Kid are all movies I love). But before you go grabbing your pitchforks and declaring how I never lived as a child, let me just saw this: this list is in no way meant to be an encapsulation of everyone’s childhood movies, just my own. That is why I say this is MY list, not the list that everybody should have. We all grew up differently and, hey, what appealed to some kids may not have appealed to others. If anything, I’m looking back on these movies to see just what a profound they were pretty big influences on the type of movies I like as well as the movies that left the largest impact on me as a child. In fact, a lot of them still have the same impact on me, if not a bigger one.

Another thing I found in looking back on these movies is that they elicited a common ocular reaction: for most of these movies, I either hid my eyes or cried. Come to think about it, those seem to be a common motif of the movies we saw when growing up. I’ll be the first to admit the movies I cried at and the movies I got scared at, so make fun of me if you want, but like I said, that was just my reaction to these movies. So, get ready to relive some of my favorite childhood movies and, hopefully, you’ll remember some of your own childhood gems that you may have forgotten about.

Honorable Mentions:
- All Dogs Go to Heaven
- Bill & Ted’s Excellent Adventure
- Follow That Bird
- The Little Mermaid
- Innerspace (Man, that one was hard not to include on the list, but let’s just say, it’s a strong #26.)

25. *batteries not included: This was one of those movies that, while it never achieved a deep sense of profoundness, it was just a well-meaning heartwarming family film. When you’re 7, those kinds of movies can be all you need to cherish it. A couple of small sized sentient UFOs land in a building scheduled for demolition to have their children (Robots procreating? I’m not even gonna dwell into that philosophical topic right now) and fill in the voids of the few tenants left in the building.



The effects are actually pretty good for the 1980s and the movie does achieve a small sense of wonder and some senses of connection to the robots on a cute level. The movie also manages to achieve some really heavy emotional moments, including one that I never realized how heavy it was until I got older. Just thinking about it now gets me pretty choked up. If you’ve seen it, you probably know what I’m talking about, if you haven’t, well, let’s just say one of the UFO’s children doesn’t quite…get born. Yeah, in the middle of your family movie, there’s a moment where one of the cute aliens goes through a stillborn situation. It choked me up as a kid, but imagine being one of the parents having to watch it with their children. I imagine that would be more traumatizing for adults.


Still, the movie manages to maintain its lighthearted family tone and ends on a heartwarming note. While it’s not really remembered for being a classic, it’s one that has a fantastic heart to it and has a special place in my childhood heart.


24. An American Tale: Speaking of movies that leave you a sobbing mess, may I remind everyone of this story of (break out your Kleenexes) an immigrant mouse who gets separated from his family and tries to find his way back to them in the new country of America.

While this can be seen as a tale of Russian immigrants escaping persecution, when you’re a kid, it didn’t matter what the subtext was. We simply identified with the young kid separated from his parents and we’ve all had those moments where we thought we lost them. Yeah, that feeling is pretty much this entire film. My memories of this movie are primarily in front of the TV and crying on the couch with my parents while I look up and see them fighting back emotions. And from everyone I’ve talked to about this movie, that’s pretty much their experience, too. So why do I so fondly remember this movie as such a nostalgic staple of my childhood? Well, three words: “Somewhere…out…there…”

You’re welcome for the lip quiver.


23. Honey, I Shrunk the Kids: Long before Phineas and Ferb embraced the joys of having adventures in your back yard, this movie did just that by (how else) shrinking the kids of the house and the neighbor house. Ever wonder what it would be like to be a quarter inch tale and have to make the journey from one end of your back yard to another?

Yeah, that’s a pretty long trip and that’s not even encountering the small obstacles like sprinklers, insects and lawn mowers that become entire action sequences. This movie created such an imaginative world that it was so easy to get lost in the adventure. By the end, the movie shows itself as being a tale of putting aside your differences and bonding together amidst a crisis. I loved this movie as a kid, especially the Roger Rabbit short in front of it; it’s just an all-around good, adventurous family film. Oh, and the baby ant is actually kind of adorable, even if it is the size of an 18 wheeler.

Why do I have such an attachment to the ant? Well, if you’ve seen the film, you know what happens to the ant, but if you haven’t, it actually makes you think twice before stepping on an ant.


22. Pee Wee’s Big Adventure: Okay, I don’t know if your parents were like mine and they hated Pee Wee Herman so much, they wouldn’t let you watch his Saturday morning show or this movie. Well, we all saw it any way, right? And how hard was it not to get pulled into the story of this man-child who has his bike taken from him and goes to such exuberant lengths to get it back.



This is one of those stories where the journey itself is probably more fun than the source material. But let’s face it, as kids, that was the coolest bike ever, wasn’t it? I don’t know about you, but I wanted a bike that had all that cool stuff. It was the James Bond of cool bicycles. It had smoke screen, jet packs and ejection seat. Yeah, that was the James Bond of bicycles. There are also some moments that are pretty damn terrifying, too. Anyone remember the nightmare about the clown surgeons or even just Large Marge.


 Yeah, see what memories that conjures up for you. It freaked me out at points, but it also made me laugh, too. It was fun, bright and goofy that I fondly look back on. And also when I would have no shame and not be afraid to do the Tequila dance.


21. My Science Project: Okay, maybe it’s because I grew up in the desert of Twentynine Palms, California, but the setting for this movie (a small Californian town next to a military base) hit pretty damn close to home for me. The movie centers around a student looking to pass his science class by pulling out a gizmo from a military junkyard that turns out to be an alien time/space warp drive.

Strange things happen here and there as the gizmo tries to suck power out of the city building up to what is probably one of the coolest endings I remember as a kid. The main characters fight through their high school, which has become a gateway of different eras like Ancient Greece, Vietnam and a Tyrannosaurus Rex in the gym! Let me restate that so the coolness can fully sink in…a friggin’ T-Rex in a high school gym!!


Until Jurassic Park came out, that was the coolest looking dinosaur in a movie as far as I’m concerned. There isn’t one moment of this movie that isn’t just fun as hell and I fondly look back on this movie as one fun ride.


20. The Land Before Time: Hey, remember how much you cried watching An American Tale? Well, the same filmmakers team up to traumatize you again with The Land Before Time. A group of children dinosaurs separated from their parents (seriously, again with the being separated from their parents) cross a barren plane to find a land that has more plants for the herbivores to thrive.

But there’s one character named Littlefoot, who isn’t just separated from his family, his mother was killed fighting off a T-Rex to save her son. Mufasa, my ass, you want a sad childhood memory? Watch the scene that follows when Littlefoot has a final conversation with his dying mother.

JEEZ! Where are the tweeting birds dancing around in a meadow to bring us out of those doldrums we were just violently thrust into? But, of course, the movie ends happy, so it’s not entirely emotionally crippling, but it can be very emotionally draining.


19. The Neverending Story: Holy hell, this movie was the nostalgic shizznit of our childhoods! A boy who gets beat up a lot finds solace in a book called (wait for it…) The Neverending Story. Inside, the world of Fantasia is about to be swallowed up by The Nothing and the only person brave enough to stand up to him is a young warrior named Atreyu.

Fun adventures, flying dragons, deadly philosophical obstacles, this book has it all, but is it really a book as the reader finds out that he’s becoming more and more entwined into the story. Who didn’t have great memories of this movie growing up? Exciting adventures, wonderful fantasy world to get lost in and a great theme song, too! (Neverending Sto-ory! Oh-o-whoa, oh-o-whoa, oh-o-whoa!) And there were some pretty intense moments, too, like the Southern Oracle scene and the entire sequence with the wolf. Again, we’re thrust in some pretty intense stuff, even a rather heartbreaking scene with Atreyu’s…

…nope, not gonna think about it. Moving on, The Neverending Story was like our bedtime stories came to life on the movie screen and it was just the perfect family film. Just try not to think about Artex. DAMMIT!!


18. Short Circuit 1 & 2: While a lot of people fondly remember the first one as that cute movie where the robot comes to life and believes that he is a living being, I more fondly remember the second one, but I’ll get to that in a minute. As mentioned, the first part is about a lightning storm that shocks a robot, Number 5, into believing that he is alive. He befriends a woman who helps him learn to appreciate the living things in the world around him so much that he believes he is alive himself because he does appreciate these things.

Of course, the government wants him back to “disassemble him”, but Number 5 knows that means he will die and he wants to live. While even his inventor, Steve Guttenberg, does not believe that he is alive, he does try to help protect him from the destruction cause by the NOVA army. (Apparently, PBS shows were real renegades in the 80s.) It’s cute, it’s funny and, as you get a little older, a little creepy at points, but it’s pretty much harmless fun. Also, when you look back on it, doesn’t Number 5 looks a lot like Wall-E?


Then comes the second one where we don’t follow the original two stars (hey, who wants to follow Steve Guttenburg more than once), but instead follow the co-engineer played by Fisher Stephens as he tries to get a toy making business started in New York City.

There, the robot, now going by Johnny 5 instead of Number 5, help Stevens build the robots, but still can’t help but feel that he’s not fitting in with the humans around him (pretty easy to feel in NYC). This one manages to be a lot more touching and heartfelt while finding a new way to have a lot of fun, but why I put the second one so much higher than the first in my childhood is how far they take the final act. There’s a moment so brutal and traumatizing that it was actually pretty difficult to watch as a young kid, still kind of is.

In fact, the rest of the third act fluctuates between funny adventure and pretty emotional weight. It’s then that you truly begin to appreciate the character of Johnny 5 that this movie helped create and start to feel like he actually is alive. So, kudos, Short Circuit 2, for being one of the rare ones that actually goes above and beyond the first part.


Okay, I’m only eight movies in and I’m already noticing a trend of these family movies. They are freaking traumatizing! I mean, it was bad enough that a generation had to grow up with Bambi, Baby Mine and Old Yeller, now we have the kids of the 1980s growing up with movies that are as emotionally wrenching as Sophie’s Choice or In America. I think we had to deal with some pretty traumatic stuff in our entertainment alone and that’s not even going into whatever tragedies befell you individually growing up. A lot of people give Disney flack for always killing off the mother characters, but if you look back on a lot of the movies we grew up with, there is a lot of death, grief and mourning. So I’m beginning to notice that while we look back fondly on our favorite movies growing up, some of them we have a hard time watching because it’s about as emotionally crippling as suggesting, “Hey, want to watch Terms of Endearment again?” If our parents’ generation wants to know why we seem so desensitized as a collective whole, it’s because the screenwriters of their generation put us through the emotional wringers, and that’s not even getting into the movies I’m about to cover later on in the other part of this list.

Wednesday, October 17, 2012

Top Movies of the 1970s



Okay, this was one of the hardest lists to come up with for two reasons. One is that I wasn’t alive in the 1970s and I had to play catch up with everything that came out, so most of my viewing has been restricted to my film lover sensibilities of “this is the movie you have to see” just so I could see what the movies were that changed the game. And there were a LOT of movies that changed so much. In fact, going back and looking at everything, I know I’ve caught the major movies and a few cult classics, but I haven’t gotten through everything. I haven’t seen a lot of John Cassavettes movies and I know he was hugely influential on that decade. There were tons of fantastic foreign films that came out that year and I’ve only seen a handful of Bergman and Fellini films. So while I know this may seem like a pretty generic list, it’s only because I haven’t been able to immerse myself in the decade as if I was living in it when they first opened the way I have for the 1990s or the 2000s. For that reason, I felt I needed to include another list and that was a list of the movies I felt that I needed to see. There are a few filmmakers that I need to see their filmography of this decade also, but I’ll just stick with individual films for now.

The other aspect that made making this list so difficult is that while I still have seen a lot of movies from the 1970s, there were a LOT of movies that I had to grudgingly keep off. For example, four of the greatest comedies ever made came out in the 1970s Blazing Saddles, Young Frankenstein, National Lampoon’s Animal House and Monty Python and the Holy Grail...and I couldn’t find a place for them on the ten best list which REALLY pained me because I like to get as many of the genres in as I can. Hell, I even had to leave off movies like Dog Day Afternoon, The Deer Hunter, Patton, Close Encounters of the Third Kind, The French Connection and that’s just naming a few. I had to leave off Star Wars. Star Wars, people. THAT hurt. Annie Hall I hated the first time I saw, but I feel like I should give another chance after falling in love with Midnight in Paris and realizing that 80s and 90s Woody Allen movies were, for the most part, really terrible with a few glimpses of hope here and there. So I felt that I had to make a third list and that would be my ten personal favorites of the 1970s. Movies that I still go back to over and over again and get a huge level of enjoyment out of.

But in the end, the movies that made the list were the ones that not only had the greatest influence on the decade, but also best represented the new style of filmmaking that was taking place at that time, which seemed to be a darker, more personal look at disillusionment that embraced a grittier and more realistic tone of storytelling outside of the grand studio driven spectacle.

So let’s dive in, for better or for worse, and look at the movies I felt were the ten best, my ten favorite and the ten movies of the 1970s that I want to see the most.

Ten Best

10. Jaws: Now, there were a handful of really successful movies. Hell, before this came out, The Godfather, The Exorcist and The Sting had already done tremendous business. But when Jaws came out, it opened up a whole new world of filmmaking: the summer blockbuster way. It also introduced us to a young up and coming auteur named Steven Spielberg, who would go on to being the most successful director of all time. And from Jaws, how could you expect anything less. This movie is a masterpiece of terror and tension, but it never loses sight of its characters or how the menace influences the crowd mentality in the small New England town of Amity. Sure, Jaws is light entertainment amidst the seemingly endless amount of “important movies” that came out this decade like All the President’s Men or Serpico, but Jaws embodies both the spirit of the entertaining movies of the years before it as well as the realism of the decade it existed in. And to this day, it is still enjoyed by many people, so it has become an ageless film.

9. The Exorcist: While Jaws was an expert work of tension, there was another movie that came out only two years before that I remember seeing old news reports of people leaving the theater crying because the movie scared something so deep in them. That movie was William Friedken’s The Exorcist, based on the hit book by William Peter Blatty. What this movie did was take a supernatural plot device and portray it in the most realistic manner possible. The result is quite possible the most terrifying use of subliminal editing, sound, lighting and camera work of the decade. It was realistic but felt otherworldly. It was grounded in science but had religious tones all throughout. It existed as such a contradiction that you weren’t sure what to believe or not. This would go on to be one of the most influential horror movies of all time and remains a fantastically told story about faith.

- Every time I talk about this movie, I like to note as to how the movie takes a whole other turn when you find out that William Peter Blatty and Shirley MacLaine were best friends and about the time that she had to leave set and go into retreat, a year later, Blatty releases the book of The Exorcist. Not only that, but if you really watch Ellen Burstyn’s performance as well as how her make-up/costumes are done, she was clearly made to look like MacLaine. That’s when the movie REALLY begins to feel unsettling.

8. One Flew Over the Cuckoo’s Nest: You want a movie that embodies the fight the power anti-establishment mentality of the 70s, look no further than this brilliantly crafted movie. This is arguably Jack Nicholson’s best performance and quite possibly the best performance of the entire cast, which includes Brad Douriff, Louise Fletcher, Danny DeVito, Christopher Lloyd and Scatman Crothers. Nicholson is sentenced to be committed to a mental institution for psych evaluation and instantly begins to butt heads with the floor nurse, played by Louise Fletcher. This is a movie that was flawlessly executed by everyone involved, cast and crew, and also managed to embody the rebellious attitude of the late 60s/early 70s and it also asks the question: who gets to define what crazy is? When do we stop trying to get people to conform to normal and let the weird people celebrate their individuality? Besides, if being normal means that you have to be like Nurse Ratchett, then why bother?

7. Nashville: Sure, M*A*S*H* is the more enjoyable film and probably the more recognized of Robert Altman’s movies, but the definition of what an Altman movie wasn’t fully on display until Nashville. This movie broke new ground with its overlapping dialog and its multi-character storyline and movies haven’t been the same since. As this movie captured the entire setting for the Nashville music scene, it also captured a political setting as well, showing how the two worlds of entertainment and politics are so intertwined. Then tie the whole thing together at the end with the performance of one song? This is truly one of the best films ever made and should be used by anyone as THE reference material for making an ensemble piece. Not to mention, this is the film that Robert Altman truly defined his style as a filmmaker and would forever influence the way movies were made.

6. Chinatown: You ever see a movie that is just flawless? I mean, every shot is perfectly blocked, performed, lit, designed, scored and executed? Well, that’s Chinatown. Everything from the ground up about this movie is perfect. From Robert Towne’s incredibly original story and witty screenplay to Roman Polanski’s perfect direction of every scene, from the flawless capturing of 1930s Los Angeles to the hauntingly memorable score by Jerry Goldsmith. And that’s even before mentioning the cast. Jack Nicholson’s at his most charismatic (and surprisingly, most mentally well balanced), Faye Dunaway is unforgettably enigmatic and tragic and John Huston oozes into one of the best screen villains of all time. What Chinatown also captures brilliantly is a perfect blend of filmmaking generations: the tough and captivating detective stories of the 1940s, the unflinching and grim moral setting of the 1970s and setting a new tone of style that would prove influential for the following generations. Again, Chinatown is just flat out perfect.

5. A Clockwork Orange: Now this was a hard one to digest at first. No good or even redeemable characters, horrific depictions of depravity and a sense of morality that is incredibly warped. It wouldn’t be until repeat viewings that I would be able to shake off the initial sense of shock and this film’s message of a morally bankrupt society and the people it produces. Is it pleasant, not in any sense of the word, but it definitely stands as a fantastic science fiction tale of a dystopian society, the type of people it produces and what happens when a person from that world is made moral. Would we accept someone that was a monster before, but is reformed? And is he truly reformed or is it a personality change that is against his will? There are some pretty rough questions here and it presents them in a very rough manner, but when truly looked at again, there is no other way this kind of story could be told and writer/director Stanley Kubrick crafts the perfect movie for the story it’s telling.

4. Taxi Driver: This is a movie that has just gotten better every new time I watch it. At first, I really enjoyed it, especially the now iconic “You talkin’ to me” scene, but repeat viewings have opened my eyes to just how intricately woven this story truly is. On the surface, it’s a story about a man who is slowly going out of his mind due to no sleep and a constant exposure to the seedy side of New York City. He tries going about it the normal route, getting involved with politics, but he’s not the kind of man who fits in with normal society. So he decides to become a renegade soldier of the underworld, being the “real rain that will come to wash the filth from the streets”. But the movie takes on more metaphysical interpretations from scenes where we briefly glimpse his persona early on in the film as he walks the streets to the ending, which can be open for interpretation as to what level of existence it takes place on. Details like these that elevate a good story to greatness and Taxi Driver is definitely more than a great movie. On top of that, you have incredibly memorable performances from Robert DeNiro as the lead character, Travis Bickle as well as an incredibly daring performance by a teen Jodie Foster as a teen prostitute. Taxi Driver is a movie you won’t be able to shake but when it’s over, you won’t want to.

3. Network: “I’m as mad as hell and I’m not going to take it anymore.” A rallying cry from one generation that more than echoes in all generations since, Network tells the tale of a news reporter that snaps under the insanity of what the broadcasting world has become and the producers who look to exploit his on air breakdown. Network goes far beyond being a biting satire of exploitation and sensationalism and actually becomes a tale of disconnection. Furthermore, it ends with a scene where you are left to question who is really pulling the strings in the world and just how far up does it go? Network is brilliantly crafted filmmaking with razor sharp dialog, flawless directing and stellar performances from the entire cast. Network may have been set in the modern world during the 1970s, but it’s story is one that has seemed to transcend time.

2. Apocalypse Now: Filmmaking was forever changed with this movie. Editing, sound, cinematography, nearly every aspect of filmmaking to this day is influenced in some way by Apocalypse Now, a movie, which by all rights, should have been a disaster. Adapted from the Joseph Conrad novel Hearts of Darkness, which is set in a South American river during the late 1800s, Coppola adapts the story to a Vietnam era story to tell this tale of madness. The sets were destroyed by a hurricane, Marlon Brando showed up to the set nearly 50 pounds heavier than expected and Martin Sheen had a heart attack during filming. Instead, Coppola turned out a hallucinatory experience that thrusts the viewer into a world where everything is as lawless and mad as the person the main character is ordered to terminate. If you’re looking for a movie that can stand alone as a film school, Apocalypse Now is definitely required viewing.

1. The Godfather I & II: Okay, maybe I have a weakness for lumping stories together (see my best of the 2000s list where all three Lord of the Rings movies were listed as the best of the decade), but Mario Puzo’s book The Godfather was so rich in detail and story that it took two movies to tell the entire story. So, to me, these two movies are essentially the same story, just broken up so it can remain incredibly loyal to the source material. Crime movies had never been portrayed like this. Before The Godfather, mobsters were all trench coat wearing, Thompson gun toting thugs, but Francis Ford Coppola decided to tell this kind of story in an amazing new way: from the perspective of the mafia family. And the result is quite possibly one of the best acting ensembles ever assembled in one film. The first one is a tremendous story about a family that is invested in the organized crime business, except for one son, Michael, who wanted nothing to do with his family’s career path, but through his care for his father grows to become the patriarch figure in the end. Then comes the second part which shows the fallout of Michael’s decisions after becoming the Don by brilliantly paralleling it with the story of his father’s rise to power. While his father made the decisions that he did for the better of his family, Michael’s decisions left him isolated from his family. Watching The Godfather I and II together is such a powerful experience that it’s hard for me to imagine one without the other. The second part just compliments the first part so well that it’s a flawless experience either watching both parts separately or joined together. I could go on forever about the details, the subtext, the underlying source material, everything is just executed so perfectly and it became so influential that it is the true embodiment of perfect filmmaking in the 1970s.


Ten Favorite Movies from the 1970s

10. Superman: The first major studio superhero film and still one of the best of all time. Sure, the current summer movie market is flooded with superhero movies now, but Superman is the one that started it all…and managed to make Superman an interesting character to watch which is a common complaint among most comic book fans. But Richard Donner found a way to not only make the character of Clark Kent/Kal-El/Superman so interesting, but also make a very exciting movie in the process with some of the most state of the art special effects for its time that still manage to hold up well by today’s standards.

9. Halloween: Okay, I’m a sucker for horror movies and this is still one of the best ever made. When I was a teenager, this was so easy to get lost in the fever pitch momentum of terror this movie built up to with its climax that it terrified me to my core. As I got older, yes, it still terrifies me, but now I appreciate the craft that went into this movie. This is the work of a true artist that was breaking new ground when most horror movies were content to simply have their screaming naked co-eds. Or did this pave the way for the movies that followed? Either way, I think it has a place to be remembered from this decade and it still casts an amazing spell to this day.

8. The Godfather I & II: Okay, I’ve already praised this movie for how spectacularly it tells its story and how it was made, so now I’m going to get personal as to why it’s a favorite. I first saw this movie when I was fifteen and going through my high school phase of learning my identity. About halfway through this movie, when Michael goes to Italy and that fantastic Italian guitar theme starts playing, I looked back at my mom and asked, “So, we’re Italian, right?” She nodded and just said, “Awesome” as I turned back to the TV and kept watching with a smile on my face. This movie helped me embrace my heritage, not because of the crime, but because everything was finally starting to connect for me. It still gives me a sense of heritage pride whenever I watch it. As The Dude would say, “I dig your style”.

7. Star Wars: Yeah, I had to give this one a shout out. I grew up on these movies, they grew with me and they are still really fun to watch (even if the prequels nearly destroyed their ability to be enjoyed). But this is one that is endlessly fun, a really good send up of all genres from science fiction to Westerns and a brilliant homage to the films of Akira Kurosawa. If you want pure escapist fun, it is one of the best even to this day. If you want a movie that has a light-hearted philosophical sense about it, it works in that aspect also. People still take the philosophies of this movie to heart because it’s a great movie to grow up with and use like a fairy tale morality. I watched it again a few days back and I still get hooked on it whenever it’s on.

6. Suspiria: This is one of those undiscovered gems that a friend of mine introduced me to and I fell in love with the moment I saw it. Like Star Wars, Suspiria creates a fantasy-dream like setting, but the fairy tale aspect of this is more terrifying like a Grimm fairy tale. The colors are brilliant and beautiful, which makes for a wonderful parallel of the horrific scenes that are playing out in the film. And the death scenes, wow! The death scenes are so graphic and so brutal that they hold up well, even by today’s standards of Saw and House of 1000 Corpses. It’s one of those underground discoveries that you’re amazed you found it and you hope that others have seen also.

5. The Muppet Movie: This is one that just speaks to the child in me. You better believe that I grew up on The Muppets and this movie is one that the older I became, the more transcendent it became. While I enjoyed watching the antics of the Muppets as a child, the story of chasing your dreams, being true to your friends and staying positive in a world that keeps throwing obstacles at you is one that seems to ring more and more profoundly the older I get. Plus, it’s still funny and the music is so heartwarming.

4. Jaws: This movie is just pure fun on every level. If I want to watch how Avant Garde techniques can be used in a popcorn film, I go to Jaws. If I want to see a fun white knuckle experience, I go to Jaws. If I want to watch one of the best examples of what Hollywood entertainment can be, I go to Jaws. It is one of the most perfect blockbusters of all time and also one of the best crafted.

3. Monty Python and the Holy Grail: Hell yeah, I’m a Monty Python fan! From their insanely off the wall sketch comedy show to all of their movies, I am always rolling on the ground with hysterical laughter. What introduced me to this wonderful world was none other than some weird low budget movie about King Arthur and his quest for the Holy Grail. It took me a while to comprehend just what madness I was seeing on the screen, but when I finally let the madness win, I never went back. This is probably one of the most quotable movies of all time and also one of the most fun.

2. The Exorcist: I am a sucker for horror movies and I still consider The Exorcist to be the best horror movie ever made. Sorry if this disappoints anyone, but it’s my choice. This movie affects me to the very underlying roots of my subconscious, on my levels of faith and fear of the dark forces in this world that we can’t see. The images conjured up by this movie still give me chills, the pure suggestion of what this story embodies, I’m still hesitant to revisit it, but when I do, it’s one of the most pleasant unpleasant experiences I take.

1. Chinatown: This is just flat out one of my favorite movies ever, even top ten of all time. I love detective stories, I love noir films, I love mysteries, I just love everything about this movie. Every scene is perfection, the dialog is so incredible and watching the story unravel is still a thrill. I even know exactly what is going to happen in every scene, but no matter how many times I watch it, it still feels fresh. Even if it’s just me wanting to relive the excitement of seeing it a first time, that is still the mark of incredible storytelling when you can want to relive a mystery again and again and always knowing the outcome. Chinatown is one of the most perfect movies I’ve ever seen and it has influenced so much of what I enjoy writing and watching.


Ten I Still Need to See That I Want to See the Most from the 1970s

10. Manhattan: Okay, to clarify, I really didn’t like Woody Allen when I first saw his movies. My introduction to him was that he would get his ass kissed by every critic and would always have a screenplay nomination reserved for him every friggin’ year, regardless of how pretentious and self-serving they come across. Maybe what repulsed me away from them are the ones where he’s the main star and his really co-stars drop their pants for him because “he’s so smart” (Believable). But after seeing Midnight in Paris, I began to re-evaluate my opinion of Allen, even wanting to go back and watch Annie Hall again. In fact, I want to check out the ones that I missed because of my horrendous onslaught of mediocre 80s and 90s Allen movies. (To be fair, Crimes and Misdemeanors and Bullets over Broadway are actually pretty good.) But topping that list is Allen’s love letter to New York City itself: Manhattan. So, yeah, after Midnight in Paris has me excited to checking out his other films. Just so long as I don’t have to see him on screen that much.

9. Aguirre, the Wrath of God: This is one that kept coming up on so many best of lists that I would read throughout college. Best of the year, best of the 70s, best of all time and so forth…and I have no idea what it’s about or why I have to see it so much. But I usually liked to be surprised by movies, so I think I’ve intentionally went out of my way not to know much more about it. I’ll let the surprise of the movie come to me. But, yeah, I know it’s supposed to be amazing, so I’ll go in knowing only that much about it.

8. Husbands: When I was in the New York Film Academy and taking my crash course in screenwriting, we watched different scenes of movies and how they opened. When the opening for this scene came up, it was a series of still photos of guys being guys by the pool during a party. And it was captivating. Afterwards, I learned more about John Cassavettes and how he played such a pivotal role in the early years of independent filmmaking. Putting together what I saw from the beginning of the film and what I know about Cassavettes, I instantly stored this one away in the back of my mind to see.

7. Day for Night: Just the title alone is enough to attract any filmmaker and to top it off, it’s directed by Francois Truffaut? Count me in!

6. Last Tango in Paris: Go ahead and imagine what I’ve heard about this movie. Don’t know about it? Well, it’s an NC-17 film from the director of The Last Emperor and starring Marlon Brando. Prestige filmmakers and actors? Check. Lurid subject material that the uptight scoff at? Double check! So, this is a must see for me!

5. Coming Home: Perhaps my first introduction to what this movie’s about was a bit souring. The only thing I saw of it was during a montage during the Oscars where Jon Voight talked about how “there’s no reason for killing, man”. Yeah, when I hear a guy from the 60s with a long beard end a sentence with “man”, I cringe. Needless to say, I wasn’t a big fan of 60s war protesters probably because of the stories I heard about from my mom and dad during dad’s time in the military which kind of soured me to the hippie movement. However, a very good friend of mine that worked with me during my previous job subcontracting for the VA gave this one of her highest recommendations. So perhaps there’s more to it that I may have overlooked. I mean, three out of the four acting awards that year went to this movie, so there may be more to this movie that I don’t know. Heck, she’s never steered me wrong before and our tastes tend to be VERY close together, so this instantly became a higher priority.

4. Alice Doesn’t Live Here Anymore/ Mean Streets: Okay, I am a huge fan of Martin Scorsese and there are some movies of his that I really regret not seeing, which include his earliest works (and The Last Temptation of Christ). That being said, I keep hearing fantastic stuff about Mean Streets as his first breakout movie (and first collaboration with Robert DeNiro) and Alice Doesn’t Live Here Anymore, which earned Ellen Burstyn her only Oscar and I think she was one of the best actresses of the 1970s. Like Aguirre, the Wrath of God, I’ve been able to avoid knowing too much about these movies and I do have them, so one day. One day…

3. Breaking Away: This is a movie that keeps picking up momentum the more I hear about it (while trying to avoid hearing too much about it). I know it’s about bicycle racing and it’s a coming of age story as well as a sort of sports film, so there’s nothing about this movie that I don’t find incredibly intriguing. Not to mention how many lists I’ve been seeing this pop up on lately, including 1979’s Best Picture race. So, yeah, this one is quickly becoming one of my most anticipated movies to see.

2. Five Easy Pieces: Jack Nicholson orders a sandwich. I keep hearing that one of the best scenes in movie history is Jack Nicholson ordering a sandwich. Not to mention this is one of the most revered movies from the decade of the 1970s, the selling point is Jack Nicholson ordering a sandwich? I can’t begin to tell you how much this makes me wish my old Hollywood Video was still around so I could look for this in their classics section.

1. The Last Picture Show: Speaking of movies that are considered some of the most revered movies of the 1970s, if I had to pick one movie that I consider to be one of the biggest crimes that I haven’t seen of this decade, it would be this one. Every review I’ve read is a four star review, it popped up on the AFI’s 100 best movies of all time, it’s a Best Picture nominee, its reputation is one of the most pristine I’ve seen of a movie’s. And considered the best movie by Peter Bogdonovich? There isn’t anything about this movie that makes me not want to grab all of my filmmaker friends and have a popcorn screening of this movie tonight. The only thing stopping me…is the busy schedule of a man in his 30s trying to get a career started for himself. But, oh, to relive those marathon nights again…